O Holy Night by Sufjan Stevens

This is the last poem or lyric I ever wrote. I don’t know why I stopped here, but I did. In the winter of 2002 I re-read IT by Stephen King. There is a scene that takes place in an abandoned, possessed house near a rail yard that haunted me. Something in its description made me recall my Grandparents house in the woods near Timpson, TX.
This poem is an imaginary trip to that house.
Going to Grandma’s!
The door stands ajar,
threatening, not inviting,
I go in anyway.
Shambles,
peeling plaster,
sheet rock kicked and punched.
Nothing here is familiar.
She sits silently,
forever offering a provocative glimpse
from the cover of a puffy and yellowing magazine.
The odors of long ago drunk beer,
and long ago passed urine,
flirt with the smell of rat feces,
and she still sits in the corner,
smiling—forever.
In this pale light,
(the suns rays make their narrow escape
as the cracked and broken boards on the windows
become teeth)
I realize what is meant by
ashes to ashes—dust to dust—and I shudder.
Grandmothers long dead leave houses long abandoned,
now a pit stop for tired bums and drunken teenagers,
no longer containing memories,
only nightmares.
Past-perfect Tense by Injury
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This song is weird for me. It is me singing, and me playing guitar, but I have no real memory of this song. I remember writing it. I remember recording it. But I don’t remember it. Your guess on the majority of the lyrics is as good as mine. I can’t understand myself.
I do, however, remember what it is about. I was imagining myself 10-15 years in the future… house in the suburbs, musical aspirations a thing of the past, and working at a job I hate. That’s what all of the “this dream is not mine” business is about.
The irony is that, in some part, this song was prophetic. I consider myself an ex-musician. Not ex-musician in the sense that I never play instruments, but ex-musician in the sense of vocation. It no longer defines who I am.
Now, I am a pastor.
Perhaps, if I can offer a rear-view commentary on the lyrics I can understand in this song, the dream needing to be let go of was not some future one in which I spent my life in service to others, but the selfish and naive dream of un-ending youth that the life of a punk musician promised.
It was a lie anyway.
Robert Sean Leonard playing and singing “Softly and Tenderly”
The amazing album There Are Crashes by B E L L S ≥ is available on iTunes for only $5.94.
Listen to the whole album below.
Sermon Title: Preaching as a Means of Grace
Church: Christ Church Northeast
Date: August 21, 2011
Jonathan Edwards is often quoted as saying, “Absolute sovereignty is what I love to ascribe to God.” I love that portion of Edward’s testimony, and I love that quote. However, for me, it’s not quite true. If I had penned that line, it would read:
Absolute fatherly sovereignty is what I love to ascribe to God.
The difference may seem subtle, but for me it is huge.
Other religions believe that God is absolutely sovereign, but it strikes fear into their hearts. The demons know for a fact that God is absolutely sovereign, and they tremble because they know it is to their ultimate doom. The Absolute Fatherly Sovereignty of God is uniquely ours to enjoy as Christians.
Let me demonstrate the difference:
When God was forming and growing this particular grapefruit, he did it with me in mind… knowing that we would laugh together about the amount of juice that squirted onto my face… knowing that the taste would be so perfectly sour and sweet that my taste buds would experience rapturous pleasure… knowing that in these quiet moments before anyone else is awake, this simple grapefruit would lead me again into worship and communion with him… knowing that even in the midst of this chaotic week, he was going to carve out time to have a daddy-date over breakfast with me… knowing that I, the chief of sinners, would be so overwhelmed with my father’s love that I would long to crawl into my daddy’s lap.
Yes. He orchestrated this small moment so that I might rest in him… that I might laugh with him… that I might find that once again, absolute fatherly sovereignty is what I love to ascribe to God.
I love this song. It is, by far, my favorite Easter hymn. This recording is horrible, but I still love it, and I especially like the arrangement. They sang all three verses before singing the refrain, which led to a very dramatic build up. Wish I had been there…
“What I am trying to envisage then is a form of political society in which it is taken for granted that disability and dependence on others are something that all of us experience at certain times in our lives and this to unpredictable degrees, and that consequently our interest in how the needs of the disabled are adequately voiced and met is not a special interest, the interest of one particular group rather than of others, but rather the interest of the whole political society, and interest that is integral to their conception of the common good.”